Lee's Palace Presents
Cullen Omori, Hideout
Doors: 8:30 pmLee's Palace
Tickets at the Door
This event is 19 and over
Special offer! A digital download of Cult’s forthcoming album, Offering (available October 6, 2017), is included with every ticket you order for this show. You will receive an email with instructions on how to redeem this offer following your ticket purchase. By purchasing a ticket you agree to have your email passed on to OfficialCommunity/MusicRedemptions.com for album download distribution purposes.https://www.leespalace.com/event/1520281/
who know what they want and how to make it happen. Offering also marks the beginning of a more collaborative phase for Cults. The pair have always traded ideas, but for the first time they sat down to jam out ideas together in a room. Follin, who has always written her own parts, came into her own as instrumentalist during the Offering sessions, playing drums and keyboards throughout. Her equal partnership with Oblivion flies in the face of a far-too-common industry assumption that women are passive participants in their own art. After three years of work in New York, LA, San Francisco, in studios and sweaty living rooms, the band finished the bulk of recording. But it was a classic “last day in the studio” demob-happy session that gave the album its opener and title track, a hope-in-darkness song that Oblivion calls “one of the most outward-looking things we’ ve done, it’ s a lifeline.” Follin adds: “we both decided independently of each other that it had to be the title.”“These songs have both instability and solutions for how to deal with instability,” Oblivion says. “I think my favorite lyric is from “Took Your Picture”: Tinge of blue/To the end/left our hearts/With regrets/I’m learning. That’ s as close as you get to a thesis statement for the album.”“We’ re in a happier place,” Follin adds. “I mean, the last track on our last album was called ‘ No Hope,’” Oblivion says, and they both laugh. “The first track on this record is called ‘ Offering.’ That pretty much says it.”
Hideout - Rookie is comprised of eleven tracks written and recorded over the course of the last 2 years. “Cory and I live on opposite sides of the country, so writing and recording takes time,” notes Gabe. “I start with demoing songs in my apartment, usually just a guitar riff and a melody. I then send it off to Cory who works on rhythms. We talk about it on the phone, and in person when our schedules allow us to meet up. We both tour in Cults so sometimes we work in hotel rooms or backstage or in the van.”
Reminiscent of early Bowie, Hideout - Rookie is complete with gritty guitar loops and ethereal vocals singing tales of abduction and space travels. “I’m really into Sci-Fi,” Gabe laughs. So much so that three songs on the album are actually an interconnecting story, starting with Skylights, which tells of a young boy’s kidnapping by “lights in the sky.” The boy is returned home with no recollection of his family or life before the lights. Battle Lights gives the listener a peak into the boy’s life a few years after his return. Now having visions, the boy hears voices that tell him to preach the lessons learned during his space journey. And of course, he’s seen as delusional. Stronger is told from the perspective of the boy’s mother. After he is committed, she sits in his hospital room wondering where she went wrong. Was there more she could have done? The visions have taken over.
Hideout - Rookie transcends listeners to a world of fantasy while evoking sounds of one of rock’s greatest eras.
Hideout - Rookie hits streets November 4th via Thrill Me! Records.
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